It has been said that the sales process ends when the client writes you a check

What does your perfect client look like? Is it someone who shops at Ralph Lauren and pays with a Discover card? Someone who shops at the warehouse stores? A combination of the two? Remember there is a difference between the type of client you may have today and the client you want for tomorrow. It's all part of knowing what you want out of your life and business and having a clear vision of your future.

Once step 1 is complete, go back to your studio and spend a few minutes reviewing these observations. That sharp pain you feel in your brain will only be temporary! It will go away as you begin to view the world through the eyes of your ideal client and gain a fresh understanding of the way perceptions are created.

Once you've completed this exercise, you will undoubtedly have an enhanced sense of your surroundings and will begin to see the world just a little bit differently than you did before. This is a good thing! The goal of this entire process is to learn to see the world and your studio the way a prospective client sees it.

Step 2: The Physical Inventory. Now it's time to make the same observations about your own business. The question I want you to keep in the front of your mind through this entire process is this: Who is my perfect client? Determine whether you want to cater to old-

The exterior of Chatsworth Portrait Studio is up-to-date, well maintained, and beautifully designed. Everything about it makes you want to see more!

school, new-school, high-end, or low-end clients, or if you prefer to attract clients somewhere in between. You need to know who your perfect client is in order to critique the dynamics of your studio's image.

Through this process, try to see your studio through the eyes of your ideal client. Remember that everything a potential customer observes about your business in the first five seconds will affect what they are willing to pay for your products and services. We're talking about perceived value. The higher the perceived value you have to your clients, the more you can charge, the more referrals you'll get, the more sessions you can shoot, and the more time off you will have to do the things in life that are most important to you.

To begin the physical inventory, first consider the outside of your entire studio, whether you operate out of your home or have a retail location. As you go through this process, it's important that you write down everything you notice. I suggest you create two columns. In the first column, note issues that can be taken care of rather easily, like raking leaves or washing a window. In the second col umn, list those things that may require a financial investment or a large amount of time, like painting the fence or getting new furniture for your gallery.

As you stand outside and observe your business, do you see weeds on the side of the driveway that need to be pulled out? What about your fence? Is it in good shape, or could it use a couple of nails and a fresh coat of paint? How does the paint look around the building? Does it look fresh and crisp? Are the shrubs and bushes properly trimmed and groomed?

Are your flower baskets overflowing with weeds and dead flowers? Do you deadhead your flowers on a regular basis? Is your lawn mown on a particular day each week, and is any necessary maintenance is performed? Are there weeds growing up in the cracks, and are there cigarette butts or bubble gum wrappers in visible sight? Are there dead leaves scattered all over the ground?

What about the windows? Are they consistently washed, or can you see fingerprints and dirt on them?

Note that having a top-quality image means that some things go unnoticed. If a window is clean, you don't no tice its lack of grime, do you? But you will definitely notice if the glass covered in finger prints and smudges. Or if the grass is neatly mowed, you don't notice that it doesn't need mowing. Keep an open mind as you go through this process.

Now, we are going to walk inside your studio for the first time. Is your entryway inviting? Have you hung high-quality signs that clearly list your business hours, or do you use a dry erase board?

As you walk in, how does the appearance of your studio make you feel? Does it give you that "wow" feeling? Does that feeling match the image you want to build? What smells do you notice? Are they fresh and clean or old and musty? What part of your studio do you see first? Does it look clean and organized? When people walk into your gallery, you should tell them everything you want them to know about you through the work displayed on the walls, the fragrance in the air, the style of the furniture, and the general overall feeling they get within that first five seconds. Not everybody has top-of-the-line designer leather furniture and turn-of-the century Victorian artwork in their studio, but we each need to make sure that what we do have supports the image we want to convey and appeals to the type of client we want to do business with.

Now, head toward your sales area or projection room. Do you display large prints on the walls or 8x10-inch prints? People can only buy what they see, and if all you show them are 8x10s, how can you expect them to invest in a 30x40-inch canvas portrait? It's not likely to happen! When I first opened my studio, I didn't have much of a budget for large prints, so I went hog wild and displayed lots of 11x14s and 16x20s. I had them everywhere! Guess what I sold a lot of? If you want to sell big, you must show big!

What about your sample albums? Are the pages routinely dusted and wiped down? Are all the prints inside still correctly mounted, or are a couple of them in need of repositioning? Are your shelves and countertops wiped down on a regular basis? Do you have candles located around your studio that add fragrance to the air? When a client walks into your studio for the first time, all of their senses are on high alert, and you want to make sure you give them an enjoyable olfactory experience.

Let's continue the process as we head into the camera room. This is a difficult one; we all get a bit lazy when it comes to maintaining our camera rooms. I have a tendency to put all of my equipment, filters, and film on one shelf, so after a while it begins to look very cluttered and disorganized. At the end of each shooting day, I force myself to put everything back where it belongs. It only takes me a couple of minutes. How is your camera room organized? Are the backgrounds neatly folded, or are they thrown into a corner because you don't have time to fold them during a session? How about your miscellaneous equipment shelf? If it's in the line of sight of your customers, how does it look to them? Could it benefit from a little time spent in organization and rearranging?

Take the same steps with your dressing rooms, public bathrooms, and the hallways that lead to them. If you have a portrait park, or even a small outdoor shooting area, take notice of the same things you noticed about the front of your building—the grass, the shrubs, the bushes, the trees, the flowers. When a client walks outside of your studio for the very first time, are they in awe with how beautiful everything is, or could your property use a little TLC? The image of your entire business is like one big apple pie, and the things we have talked about are the vital ingredients we need to make the best apple pie we can!

100 Photography Tips

100 Photography Tips

To begin with your career in photography at the right path, you need to gather more information about it first. Gathering information would provide you guidance on the right steps that you need to take. Researching can be done through the internet, talking to professional photographers, as well as reading some books about the subject. Get all the tips from the pros within this photography ebook.

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